How to become a famous writer
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| http://www.bostonmagazine.com/arts-entertainment/article/2014/09/30/how-to-become-a-famous-author/ |
Being a famous writer is not a very easy
profession to achieve. To become writer it takes just one night but if you want
to be famous writer you have to spend not just one night, it should be nights and
perhaps years to become a famous writer.
To become a famous
writer you have consider this tips:
1.
You have to
be writer.
a.
Study and
read all you can
Enroll
in a course that helps you to become a good writer and study hard to reach your
goal successfully. Many say that a good listener is a good speaker at the same
if you want to be a good writer you have also to be a good reader. You read and
read any book that you like and could give you a lot of knowledge to be a good writer. Also in reading you have to consider the writer, preferably a famous one, for you to have an idea why does he becomes the best seller for one year, what are the styles he uses to write that book.
b.
Learn to
correct your grammar
Your grammar
is very important when you want to be a famous writer. The way you used and
arrange words syntactically will help you express your thoughts without
ambiguity for the readers to interpret it clearly on what you tend to let them
interpret.
Indeed
grammar usage is difficult and confusing. So to memorize the grammar usage you have
to use them little by little and as you use them you can notice some improvements.
c.
Look for
someone to look up to
To help
you becomes motivated and be a successful writer try to look for a famous
writer that you really admired.
d.
Set a
schedule and find a better place to write
Setting
a schedule for writing your first novel or a short story will help you
distinguished your daily task appropriately. Find a place that no one could
disturb you with just a nonsense chat. By finding the best place to write,
perhaps on a quiet and open place would help you think faster for a better
outcome.
e.
Keep a
journal or a diary
Keeping a journal or a diary with you all the
time can help you jot down all the ideas on how you see things around you and
for your funny experiences that inspires you even sad moments that you think
you can use when you write someday soon.
And when
you think that you already have tons of thoughts that would eventually explode.
Start to write and publish what you wrote through internet like wattpad or
write it on your blog suite. It will help your writing exposed and be
discovered. Like the writer of The Diary ng Panget written by Haveyouseenthisgirl
that spreads on e-book and later becomes a movie. Indeed she became famous.
f.
Love your own
Do not compare your writing to other people who
degrade you and look to you like they were the best writer in the world. Just stay
focused to your goals silently and let your success take pride for you. For if
become curious about yourself you can no longer focus to your goals instead you
always find a way to beat those haughty people.
g.
Relax
Have some time for yourself, relax and enjoy by
travelling to other places or just even window shopping. It could really help
you stay motivated and inspired for a great masterpiece.
2. What famous writers do from James Clear site
a.
E.B. White: “A writer
who waits for ideal conditions under which to work will die without putting a
word on paper.”
In an interview with The Paris Review, E.B. White, the famous author
of Charlotte’s Web, talked about his daily writing routine…
I never listen to music when I’m working.
I haven’t that kind of attentiveness, and I wouldn’t like it at all. On the
other hand, I’m able to work fairly well among ordinary distractions. My house
has a living room that is at the core of everything that goes on: it is a
passageway to the cellar, to the kitchen, to the closet where the phone lives.
There’s a lot of traffic. But it’s a bright, cheerful room, and I often use it
as a room to write in, despite the carnival that is going on all around me.
In consequence, the members of my
household never pay the slightest attention to my being a writing man — they
make all the noise and fuss they want to. If I get sick of it, I have places I
can go. A writer who waits for ideal conditions under which to work will die without
putting a word on paper.
b.
Haruki Murakami: “The
repetition itself becomes the important thing.”
In a 2004 interview, Murakami discussed his physical and mental habits…
When I’m in writing
mode for a novel, I get up at four a.m. and work for five to six hours. In the
afternoon, I run for ten kilometers or swim for fifteen hundred meters (or do
both), then I read a bit and listen to some music. I go to bed at nine p.m.
I keep to this routine
every day without variation. The repetition itself becomes the important thing;
it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind.
But to hold to such
repetition for so long — six months to a year — requires a good amount of
mental and physical strength. In that sense, writing a long novel is like
survival training. Physical strength is as necessary as artistic sensitivity.
c.
Jodi Picoult: “You
can’t edit a blank page.”
The last seven books
Jodi Picoult has written have all hit number 1 on the New York
Times bestseller list. In an interview with Noah Charney, she talks about her approach to writing and
creating…
I don’t believe in
writer’s block. Think about it — when you were blocked in college and had to
write a paper, didn’t it always manage to fix itself the night before the paper
was due? Writer’s block is having too much time on your hands. If you have a
limited amount of time to write, you just sit down and do it. You might not
write well every day, but you can always edit a bad page. You can’t edit a
blank page.
Maya Angelou: “Easy reading is damn hard writing.”
In a 2013 interview with The Daily Beast, the American author and poet discussed
her writing career and her daily work habits…
I keep a hotel room in
my hometown and pay for it by the month.
I go around 6:30 in the morning. I have a bedroom, with a bed, a
table, and a bath. I have Roget’s Thesaurus, a dictionary, and the Bible.
Usually a deck of cards and some crossword puzzles. Something to occupy my
little mind. I think my grandmother taught me that. She didn’t mean to, but she
used to talk about her “little mind.” So when I was young, from the time I was
about 3 until 13, I decided that there was a Big Mind and a Little Mind. And
the Big Mind would allow you to consider deep thoughts, but the Little Mind
would occupy you, so you could not be distracted. It would work crossword
puzzles or play Solitaire, while the Big Mind would delve deep into the
subjects I wanted to write about.
I have all the
paintings and any decoration taken out of the room. I ask the management and
housekeeping not to enter the room, just in case I’ve thrown a piece of paper
on the floor, I don’t want it discarded. About every two months I get a note
slipped under the door: “Dear Ms. Angelou, please let us change the linen. We
think it may be moldy!”
But I’ve never slept
there, I’m usually out of there by 2. And then I go home and I read what I’ve
written that morning, and I try to edit then. Clean it up.
Easy reading is damn hard writing. But if it’s right, it’s easy.
It’s the other way round, too. If it’s slovenly written, then it’s hard to
read. It doesn’t give the reader what the careful writer can give the reader.
d.
Nathan Englander: “Turn
off your cell phone.”
Englander is an
award–winning short story writer, and in this interview he talks about his quest to eliminate all distractions from
his writing routine…
Turn off your cell
phone. Honestly, if you want to get work done, you’ve got to learn to unplug.
No texting, no email, no Facebook, no Instagram. Whatever it is you’re doing,
it needs to stop while you write. A lot of the time (and this is fully goofy to
admit), I’ll write with earplugs in — even if it’s dead silent at home.
e.
Karen Russell: “Enjoy
writing badly.”
Russell has only
written one book … and it was a finalist for the Pulitzer Prize. In an interview with The Daily Beast, she talks about her daily struggle
to overcome distraction and write…
I know many writers who
try to hit a set word count every day, but for me, time spent inside a
fictional world tends to be a better measure of a productive writing day. I
think I’m fairly generative as a writer, I can produce a lot of words, but
volume is not the best metric for me. It’s more a question of, did I write for
four or five hours of focused time, when I did not leave my desk, didn’t find
some distraction to take me out of the world of the story? Was I able to stay
put and commit to putting words down on the page, without deciding mid-sentence
that it’s more important to check my email, or “research” some question online,
or clean out the science fair projects in the back for my freezer?
I’ve decided that the
trick is just to keep after it for several hours, regardless of your own
vacillating assessment of how the writing is going. Showing up and staying
present is a good writing day.
I think it’s bad so
much of the time. The periods where writing feels effortless and intuitive are,
for me, as I keep lamenting, rare. But I think that’s probably the common ratio
of joy to despair for most writers, and I definitely think that if you can make
peace with the fact that you will likely have to throw out 90 percent of your
first draft, then you can relax and even almost enjoy “writing badly.”
To become a famous writers there
are many things to consider but if you take this steps there should be a
shimmering future behind you.
a.
E.B. White: “A writer
who waits for ideal conditions under which to work will die without putting a
word on paper.”
In an interview with The Paris Review, E.B. White, the famous author
of Charlotte’s Web, talked about his daily writing routine…
I never listen to music when I’m working.
I haven’t that kind of attentiveness, and I wouldn’t like it at all. On the
other hand, I’m able to work fairly well among ordinary distractions. My house
has a living room that is at the core of everything that goes on: it is a
passageway to the cellar, to the kitchen, to the closet where the phone lives.
There’s a lot of traffic. But it’s a bright, cheerful room, and I often use it
as a room to write in, despite the carnival that is going on all around me.
In consequence, the members of my
household never pay the slightest attention to my being a writing man — they
make all the noise and fuss they want to. If I get sick of it, I have places I
can go. A writer who waits for ideal conditions under which to work will die without
putting a word on paper.
b.
Haruki Murakami: “The
repetition itself becomes the important thing.”
In a 2004 interview, Murakami discussed his physical and mental habits…
When I’m in writing
mode for a novel, I get up at four a.m. and work for five to six hours. In the
afternoon, I run for ten kilometers or swim for fifteen hundred meters (or do
both), then I read a bit and listen to some music. I go to bed at nine p.m.
I keep to this routine
every day without variation. The repetition itself becomes the important thing;
it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind.
But to hold to such
repetition for so long — six months to a year — requires a good amount of
mental and physical strength. In that sense, writing a long novel is like
survival training. Physical strength is as necessary as artistic sensitivity.
c.
Jodi Picoult: “You
can’t edit a blank page.”
The last seven books
Jodi Picoult has written have all hit number 1 on the New York
Times bestseller list. In an interview with Noah Charney, she talks about her approach to writing and
creating…
I don’t believe in
writer’s block. Think about it — when you were blocked in college and had to
write a paper, didn’t it always manage to fix itself the night before the paper
was due? Writer’s block is having too much time on your hands. If you have a
limited amount of time to write, you just sit down and do it. You might not
write well every day, but you can always edit a bad page. You can’t edit a
blank page.
Maya Angelou: “Easy reading is damn hard writing.”
In a 2013 interview with The Daily Beast, the American author and poet discussed
her writing career and her daily work habits…
I keep a hotel room in
my hometown and pay for it by the month.
I go around 6:30 in the morning. I have a bedroom, with a bed, a
table, and a bath. I have Roget’s Thesaurus, a dictionary, and the Bible.
Usually a deck of cards and some crossword puzzles. Something to occupy my
little mind. I think my grandmother taught me that. She didn’t mean to, but she
used to talk about her “little mind.” So when I was young, from the time I was
about 3 until 13, I decided that there was a Big Mind and a Little Mind. And
the Big Mind would allow you to consider deep thoughts, but the Little Mind
would occupy you, so you could not be distracted. It would work crossword
puzzles or play Solitaire, while the Big Mind would delve deep into the
subjects I wanted to write about.
I have all the
paintings and any decoration taken out of the room. I ask the management and
housekeeping not to enter the room, just in case I’ve thrown a piece of paper
on the floor, I don’t want it discarded. About every two months I get a note
slipped under the door: “Dear Ms. Angelou, please let us change the linen. We
think it may be moldy!”
But I’ve never slept
there, I’m usually out of there by 2. And then I go home and I read what I’ve
written that morning, and I try to edit then. Clean it up.
Easy reading is damn hard writing. But if it’s right, it’s easy.
It’s the other way round, too. If it’s slovenly written, then it’s hard to
read. It doesn’t give the reader what the careful writer can give the reader.
d.
Nathan Englander: “Turn
off your cell phone.”
Englander is an
award–winning short story writer, and in this interview he talks about his quest to eliminate all distractions from
his writing routine…
Turn off your cell
phone. Honestly, if you want to get work done, you’ve got to learn to unplug.
No texting, no email, no Facebook, no Instagram. Whatever it is you’re doing,
it needs to stop while you write. A lot of the time (and this is fully goofy to
admit), I’ll write with earplugs in — even if it’s dead silent at home.
e.
Karen Russell: “Enjoy
writing badly.”
Russell has only
written one book … and it was a finalist for the Pulitzer Prize. In an interview with The Daily Beast, she talks about her daily struggle
to overcome distraction and write…
I know many writers who
try to hit a set word count every day, but for me, time spent inside a
fictional world tends to be a better measure of a productive writing day. I
think I’m fairly generative as a writer, I can produce a lot of words, but
volume is not the best metric for me. It’s more a question of, did I write for
four or five hours of focused time, when I did not leave my desk, didn’t find
some distraction to take me out of the world of the story? Was I able to stay
put and commit to putting words down on the page, without deciding mid-sentence
that it’s more important to check my email, or “research” some question online,
or clean out the science fair projects in the back for my freezer?
I’ve decided that the
trick is just to keep after it for several hours, regardless of your own
vacillating assessment of how the writing is going. Showing up and staying
present is a good writing day.
I think it’s bad so
much of the time. The periods where writing feels effortless and intuitive are,
for me, as I keep lamenting, rare. But I think that’s probably the common ratio
of joy to despair for most writers, and I definitely think that if you can make
peace with the fact that you will likely have to throw out 90 percent of your
first draft, then you can relax and even almost enjoy “writing badly.”
To become a famous writers there
are many things to consider but if you take this steps there should be a
shimmering future behind you.


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